I Standards

1. A) making connections between tunes
2. B) playing the melody with feeling and register experimenting
3. C) Economical chord selection
4. D) Memorization
5. E) Improvisation influenced by melody
6. F) Harmonic substitution
7. G) Chord melody
8. H) Arranging

II Diatonic Harmony with 12 Tone Harmonic Connection

1. A) Secondary Dominants
2. B) Two Families of Dominants
3. C) Extracting 12 tone usage in diatonic environment
4. D) The minor IV chord
5. E) Expanding the diatonic chords

III Ear Development

1. A) Mental manipulation
2. B) The Guide Tone System
3. C) The Importance of using voice
4. D) Diatonic harmonic recognition
5. E) Chord Type Recognition
6. F) Hearing and Singing non chord tones

IV Diatonic Modality by Distance

1. A) Modal Creation
2. B) Modal arranging by color
3. C) Distance Charts

V Practical Rhythmic Experimentation for Bands

1. A) Double Time
2. B) 3/4 into 4/4
3. C) 6/8 into 4/4
4. D) Half Time

VI Jazz for Beginners

1. A) Pitch Matching
2. B) Body Language
3. C) Diatonic Control
4. D) Beginner Forms
5. E) The Importance of Scat Singing
6. F) Recommended Tune List
7. G) Basic Musical Theory for Jazz

VII Dealing with Difficult Harmonic Structures

1. A) Symmetry
2. B) Poly-Chords
3. C) Non-Diatonic Relationships
4. D) Modulation

VIII The Power of Influence

1. A) Recording List
2. B) Should I Transcribe?
3. C) Diversity
4. 
   
5. IX Space and how to use it
6. A) Comping
7. B) Soloing
8. C) Dynamics